It’s hard to argue with that. My first book was a young adult novel followed by three humor books. Then I wrote a marketing book and an investing book. Next up were several novels ranging from satire to chick-lit to paranormal. My newest book, co-authored with Jillian Vorce, grew out of a class I teach at BC and focuses on encouraging personal reflection and increasing self-knowledge.
So what literary path have I chosen to pursue next? Obviously something I’ve never done before: a thriller.
It’s been said that most artists – painters, musicians, sculptors, writers, actors, etc. – possess some sort of character flaw bordering on mental illness. That’s probably an overstatement (I hope) but I do believe there’s truth in the fact (not of the “alternative fact” variety) that we tend to see the world from a slightly different (askew?) perspective.
In my case, I think the “disorder” stems from the fact that I’ve never written simply to make money. I write the kind of stuff I enjoy reading. If that means I’ll never reach the stature or earnings of a John Grisham, I’m okay with it.
As I’m writing this, however, I’m reminded that I once did purposely write to make money. And I succeeded. It was back in the early 1980’s and I was spending a week on the Cape. My YA novel had been published and I was selling articles and essays to a bunch of magazines and newspapers – but not making very much money. So I sat back and asked myself a simple question: “What sells?” The answer was equally simple: “Sex!” So, within a week I had written captions for a cartoon book called How To Tell If It Was Good. The book was published by Ivory Tower Press and sold over 200,000 copies.
The moral of the story? Perhaps, unlike white mice, I don’t learn. Perhaps I can’t truly synthesize life lessons – even those that slap me upside the head. Who knows? Maybe the urge to write something strictly for money will strike again. Until then, await my foray into the thriller market – and wish me luck in battling my obvious disorder.